The seldom spotted high altitude tenor

merrily leaping above the stave

Oh, after only 10 months we’re back with a post featuring a few (!) tenors. But Rossini, though not made for tenors per se, is known for his earworms. You listen to it once and you must re-listen – about 20 times, or until neighbours start slamming their windows shut in frustration. Having shot down Scala at La Fenice 😉 and now feeling I was a bit (just a wee bit) unfair, I felt like I needed to re-listen for other opinions:

I know Blake was very popular in this rep in the ’80s and ’90s but his voice/way of singing rubs me the wrong way. The goat is randy even below the summit! Ok, this is very late in his career but he sounds like this in other videos. He can and dares do lots of things but none of them are pleasant to my ears. He seems to forget this is a seduction aria not a moment to throw notes like knives at a petrified damsel in distress.

The tone is rather nice but talk about lack of mementum for this “Indian Nemorino”.

JDF is a Capricorn. Coincidence? Nah-uh.

I like Brownlee’s tone best of the bunch. There’s no strangled goat bleating in the stratospheric heights but he covers the tessitura without issues, and he can sound really beautiful in the tender moments. BTW: are there any non-virtuoso Rossini arias?

But Kunde is also surprisingly pleasant to listen to, though I can hear some insecurity. I didn’t even know he used to sing in this rep.

About dehggial

Mozart/Baroque loving red dragon

Posted on October 31, 2018, in italian opera, rossini, tenors and tagged , , . Bookmark the permalink. 20 Comments.

  1. ❤ Browlee! (grr, thanks for the earworm :-8)

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