… doesn’t do it with Pikovaya Dama.
The Queen of Spades review – Herheim puts Tchaikovsky centre stage for stimulating frustration
2 / 5 stars 2 out of 5 stars.
[Herheim} is not half as interested in the story of Pushkin’s novella and Tchaikovsky’s opera as he is in the story of Tchaikovsky himself. In fact, forget Pushkin; this is all about Tchaikovsky. The composer was the toast of musical Russia; he was also a depressive, a gay man who had a breakdown following a disastrous marriage, someone who could plausibly have drunk the cholera-infected water that killed him in full awareness that it was contaminated. Knowledge of all this is crucial to understanding the next three hours on stage, and Herheim concedes us a few projected lines of explanation at the very start.
Herheim has projected Tchaikovsky into the character of Yeletsky, the dull old prince who offers heroine Liza love and security only for her to gamble her honour and sanity on flaky antihero Gherman instead.
brandishing glasses half full of iridescent cholera water.
Yeletsky is normally a bit part, singing little except one of Tchaikovsky’s most ravishing arias – how beautifully Tchaikovsky wrote for the boring men in his operas, and how he must have craved ordinariness for himself!
miming away at the piano like some 19th-century version of Animal from The Muppets, or disrupting any intimate scene between other characters.
The Royal Opera has not recently been a stranger to stagings about operas rather than of them: Barrie Kosky’s Carmen was a breath of fresh air.
Eva-Maria Westbroek’s soprano misses the ideal innocence for Liza, and Aleksandrs Antonenko sings Gherman with a scything tenor that’s a blunt instrument, too often veering off pitch.
and Felicity Palmer, mesmerising as the Old Countess. If this is indeed this remarkable singer’s last stage role, it’s a fittingly memorable one.
It started yesterday, whilst I was merrily lounging in bed but I still got tickets to the Queen of Spades and Kat’a Kabanova at leisure just now. Kat’a is especially cheap (Queen is not). Here‘s the rest of your options.
So after that somewhat Pelleas at Glyndebourne, Herheim comes to ROH for the Queen of Spades, whilst it’s up to dehggi favourite Richard Jones to tackle Kat’a, which also sees Amanda Majeski’s debut at ROH. Very curious about this.