Blog Archives

Vivaldi, not to be outdone:

Staying with Basso, how exquisite is this?! I’m not even a fan of laments but the sophistication on display here is something else:

Someone in the comments says it’s organic – very apt. It’s got it all – style, technique, emotion, imagination. Just ❤

ps: it’s recorded with my favourite Baroque outfit in the world 😀

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From the great book of Handel duets

This just came to my attention and I’m a bit in love with how good Karg and Basso sound together:

A good week to all 🙂

The contralto counter-offensive

Since last year’s Juditha at the Barbican my appreciation for Andrea Marcon’s way with Vivaldi has escalated dramatically. I was casually going through a bunch of renditions of that badass1 Sorge l’irato nembo when I came across this one:

I really like the interesting way the B section is done here. It’s so smooth.

I wanted to write more on the subject (I love this aria – and all the other Orlando ones), post a couple more renditions but I am deflated from too much irl fuss this month so this is it. It’s a good moment to have Basso in the spotlight, since I don’t think I’ve done so yet. More power to the contraltos and their ferocious set of chompers!


  1. Isn’t Orlando the fount of the greatest Vivaldi arias?!