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In local Tito news

… and online! also on Radio 3 at the end of August

Glyndebourne has posted a podcast on Tito with their current team (none of the singers, though), featuring music from the 1993 Harnoncourt recording (and not their own recording, for some reason). Usual readers aren’t likely to hear many new things but at least it’s clear that teams have left behind the old school slight embarrassment at producing Tito and are now focusing on the music (how it’s different from the other things Mozart composed in his later years) and what it’s about.

Aside from the 3 August Glyndebourne livestream (6pm London time), Tito will appear at the Proms (semi staged with the same cast) on Monday 28 August at 7pm London time. All I’m going to say about that is the broadcast will be a much better deal than the actual Royal Albert Hall acoustics.

Glyndebourne 2017 loot

Glyndebourne 2013

Glyndebourne 2013

Given that I haven’t been to Glyndebourne in a few years, I don’t know if this general booking system is new or not. In any case, you apparently can’t sneak in before the appointed time. Though I got in 14secs after 6pm, I was #622 in the queue. Luckily I was tag-teaming with Baroque Bird, who was in the 300s already. So Team London will be there for La clemenza di Tito on 31 July (Glyndebourne will broadcast the 3 August performance) and yours truly will see a couple more shows (Hipermestra and Hamlet in June plus another go at Tito in August). Let’s hope for clement weather 🙂

edit: we now have Annio (Anna Stéphany) and Publio (Clive Bayley). Interesting that Stéphany is Annio, seeing as how she’s already sung Sesto. But I do rather see her as Annio. You may remember I saw Bayley as Aye in Akhnaten last year and when I say saw I mean it. It’s going to be nice actually hearing him 😉

What to see at Glyndebourne 2017

Glydenourne auditorium (Daily Mail – click to check some interesting backstage pictures)

Important: next year, General ticket sale will start at the unusual hour of 6pm on Sunday, 5 March. They really want to keep us at home on a Sunday afternoon.

Productions:

  • Hipermestra (Cavalli) 20 May – 8 July (new production)

Conductor/ Orchestra: William Christie | Orchestra of the Age of Enlightenment

Emöke Baráth takes the title role.

  • La traviata 21 May – 19 June and again (different cast/conductor) 1 – 27 August

Kristina Mkhitaryan and Joyce El-Khoury take the title role.

  • Hamlet (Brett Dean) 11 June – 16 July (new commission)

Conductor/ Orchestra: V. Jurowski | London Philharmonic Orchestra

Cast: Allan Clayton (Hamlet), Sarah Connolly (Gertrude), Barbara Hannigan (Ophelia), Rod Gilfry (Claudius), Kim Begley (Polonius), John Tomlinson (Ghost of Old Hamlet)

Badass cast, I wonder about the music.

  • Ariadne auf Naxos 25 June – 27 July

Conductor/ Orchestra: Cornelius Meister | London Philharmonic Orchestra

2015 Operalia Winner Lise Davidsen takes the title role. So young and already Ariadne! I am as usual tempted to go but…

  • Don Pasquale 13 July – 23 August

Conductor/ Orchestra: Giacomo Sagripanti | London Philharmonic Orchestra

  • La clemenza di Tito 26 July – 26 August (new production)

Conductor/ Orchestra: R. Ticciati | Orchestra of the Age of Enlightenment

Tito: Steve Davislim
Vitellia: Alice Coote
Sesto: Kate Lindsey
Servilia: Joélle Harvey
Annio: ?
Publio: ?

Leander and I have already talked about picnic-ing for this one (and probably Hipermestra as well). Anyone who wants to join us is more than welcome!

Related image

This is the main lawn, with the manor house in the background.