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Just when I thought Gritsy wasn’t so bad after all…

…I ran into this (for your convenience, I’ve linked the ending – you need to stay for the “flea market” chorus – everybody in for themselves!1):

What in the world was that? And how did anyone – especially the conductor – think this was a good idea?2 Works well for the final stretto 50m dash in the Operalympics or as an advert to stop kids from playing with electricity, otherwise…

ps: from another Opera Ball – this time in Dresden. Coincidence? I think not.
ps2: in her defence, she is not afraid of taking chances (and watching her moves is half the fun), unlike a certain mezzo we know and (I) love 😉 One hopes that these chances were less misguided…
ps3: even more in her defence, as a redeemer for Rossini, this trailer of Adelaide di Borgogna, where Ottone seems to be a woman. So maybe she just needs to ditch the Opera Balls and stick with trouser (wearing) roles?

  1. thanks to T for the wise words ;-) 
  2. someone please remind them all it’s not Les Contes D’Hoffmann
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