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Sonia Prina (Wigmore Hall, 11 January 2018)

Sonia Prina contralto
Akademie für Alte Musik Berlin

George Frideric Handel (1685-1759)
Concerto Grosso in F major

Giovanni Ferrandini (1710-1791)
Cantata: Il pianto di Maria

Interval

This was a very well attended concert but in contrast to the JDD estravaganza, the mood was mostly relaxed. There was a certain buzz in the air, as if people had just started to catch on to Prina. Without a doubt her recent excursions in London have raised her status among Wiggy regulars.

A bit strangely, then, Prina showed up in a dress. I was caught unawares – she can dress however she wants but I can’t remember the last time I’ve seen her dressed so formally. But, you may say, how appropriate is it to sing Mary’s lament other than formally dressed?

Perhaps to fit that mood and the fact that the show was broadcast live on BBC3, the Akademie sounded on the formal side of excellent. No doubt about their technical prowess and Baroque-ness.

Ferrandini’s Pianto di Maria seems popular among mezzos and contraltos but not so much with me. Prina decided on a very operatic take, with the dramatic turns energetically emphasised and the recit parts done with lots of fervour. I felt a bit of sameness of sound on the low end in spite of it all, so I think I prefer a higher or brighter tone if I have to listen to this piece at all.

Johann Sebastian Bach (1685-1750)
Cantata: Widerstehe doch der Sünde BWV54

Pietro Antonio Locatelli (1695-1764)
Concerto Grosso in E flat ‘Il Pianto d’Arianna’ Op. 7 No. 6

Antonio Vivaldi (1678-1741)
Longe mala, umbrae, terrores RV629

Encores:

But who may abide (Messiah)
Longe mala, umbrae, terrores RV629

After the interval we had the rather unusual chance to hear Prina sing in German. At least to my ears she did a very good job and I finally perked up.

Unsurprisingly my favourite moment of the night was Vivaldi’s Longe mala…, where I think Prina sounded most comfortable. Perhaps that was the reason why she also capped the night with it, much to my delight. The Akademie let their hair down a bit and matched her to perfection in the endless runs, which she of course took with much gusto. During the intermission I overheard a wry attendee do an uncanny and amusing impression of Prina’s very personal way with coloratura, so the above-mentioned runs brought a smile to my face in spite of the rough patch I went through the week before.

She returned to much applause with a “belated Christmas gift”, which turned out ot be But who may abide. It once again gave her the opportunity to shake the stage up during the energetic b-section. So a more sober encounter than usual but a Prina show is always warm and full of life and the public feels it and responds accordingly.