Roberta Invernizzi, two lutes, one viola da gamba and beguiling canzoni (Wigmore Hall, 19 November 2018)

I love these one shot (no interval) lunchtime Wiggy concerts! It’s usually pensioners and music students – and people who eat music on rye for lunch 😉 I try to get the day off for them, because otherwise they are really inconvenient for anyone working shifts but sometimes needs must include good ole’ skiving 😉 Put yourself in my place: 17th century love songs vs. Monday1 at work. I don’t care how much you love your job, music should win or you’re reading the wrong blog.

Anyway, I was only 1 1/2hrs late, so I’m keeping my respectability, especially after looking like I saved the day from a short on staff afternoon! Baroque heroes, you’ve got nothing on me.

Roberta Invernizzi soprano
Rodney Prada viola da gamba
Craig Marchitelli lute
Franco Pavan lute

Giulio Caccini: Dolcissimo sospiro; Dalla porta d’oriente

Johannes Hieronymus Kapsberger: Passacaglia

Claudio Monteverdi: Ecco di dolci raggi; Disprezzata Regina from L’incoronazione di Poppea

Orazio Bassani: Toccata per B quadro

Girolamo Frescobaldi: Canzone a basso solo

Tarquinio Merula: Folle è ben che si crede

Luigi Rossi: La bella più bella

Johannes Hieronymus Kapsberger: Arpeggiata

Sigismondo D’India: Intenerite voi, lagrime mie; Cruda Amarilli

Claudio Monteverdi: Si dolce è’l tormento; Voglio di vita uscir

Encore:

Giulio Caccini: Amarilli, mia bella from Le nuove musiche

It’s been a couple of weeks or so from Lemieux with nothing – nothing! The upside is you really appreciate the musicians’ efforts after a drought. As soon as Invernizzi spun out the very first trill I was all how I wish I could do that! And when the lutes kicked in I thought this is it, I was born to listen to this 😉 I also, quite unusually, had a seat at the front of the venue, which, with Invernizzi works well as you get all sorts of nice dynamic transitions. This is the kind of concert where there is so little time, you need to be on from the moment you step on stage.

I really enjoyed her in this rep – probably my favourite performance from her. She has the style down pat and she didn’t either force or hold back, she was completely at home. As usual I liked the jaunty songs best (Dalla porta d’oriente has the same tune as Vi ricorda o boschi ombrosi) but Disprezzata regina by a soprano wasn’t a bad idea at all. It was a lot less stark and brutal than the recent one from Salzburg (it seemed like 2 lutes made a lot more noise than Christie’s entire band) but her tone and her investment worked nicely indeed. Voglio di vita uscir, a favourite of Baroque recitalists, with that playful start that belies its glum title, was, unsurprisingly, giddier than usual.

All in all, this is exactly my idea of a Monday lunchtime concert – content and presentation. I don’t know that I have words for how emotionally close I feel to this stuff. Might as well sneak in another Venice picture, though not everything above comes from Venice.

remember what I said about nighttime walks in Venice?


  1. Mondays and Wednesdays are the busiest for us. 
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About dehggial

Mozart/Baroque loving red dragon

Posted on November 21, 2018, in baroque, live performances, on the radio, sopranos, wigmore hall and tagged , , , , , , , , , . Bookmark the permalink. 17 Comments.

  1. Lucky you! And I’m hugely enjoying the broadcast! “Completely at home” yes, it’s very engaged and immediate, yet unpretentious. Disprezzata Regina is a good example, for me personally Invernizzi’s take works better (less wailing ;-)).
    The lutes are also really good!

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