2018, the Summer of Poppea

This is a pretty good account of what went down in Zurich (re: Poppea). (From my seat in my Mum’s kitchen) I’m not very convinced by those projections either but I do like the rounded stage idea, with the displaced balcony box spectators at the back.

Like I said in the Carmen post, I’m not sure I care so much about being physically super immersed in the action as long as the acting is convincing and the production clear and coherent. I can draw my own Poppea/Carmen/Tito etc. parallels, thank you. But I doubt I could’ve forked out the money for those seats, anyway (though maybe you got discounts for having the public watch you as part of the action… but it looks like they’re not always there? whatever it was).

In any case, David Hansen vs. Kate Linsdey ultimately seals it for me.

ps: pregnant Poppea = yes.

About dehggial

Mozart/Baroque loving red dragon

Posted on August 25, 2018, in acting in opera, baroque, countertenors, italian opera, mezzos & contraltos, sopranos and tagged , , . Bookmark the permalink. 1 Comment.

  1. …signing that PS.
    (And other things.)

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