ROH 2016-2017 confirmed, let’s talk!

So, it’s finally out!

Let’s start with Mozart:

Mitridate (26 June–7 July 2017) 

Mitridate – Michael Spyres
Aspasia – Albina Shagimuratova
Farnace – Bejun Mehta
Ismene – Lucy Crowe
Marzio – Andrew Tortise
Sifare – Anett Fritsch
Arbate – Jennifer Davis

Shagimuratova, then. I won’t be expecting complex characterisation, just very precise singing in an alluring voice, which is what people seem to endlessly equate Aspasia with (super difficult singing – yea, but so what?). Don’t know Anett Frisch but Spyres and Mehta are (same old) known quantities in their respective roles. Excuse me while I stand bitterly disappointed after the definitive-looking Paris production. Doesn’t mean I won’t go see it for Mozart.

Così fan tutte (22 September–19 October 2016)

Conducted by Byckhov, of all people! I loved his Die Frau ohne Schatten, what will he do here?

Fiordiligi – Corinne Winters
Dorabella – Angela Brower
Ferrando – Daniel Behle
Guglielmo – Alessio Arduini
Don Alfonso – Johannes Martin Kränzle
Despina – Sabina Puértolas

Brower is known to me as the multitalented Annio from the circus/cult Tito (Munich) production. The one with unicorn hair 😉 and the lovely tone, who accompanied himself for the Act II intro recit with Sesto. Will they have her do something out of the ordinary here as well?

We have dates for Adriana Lecouvreur (7 February–2 March 2017), woohoo! Must start saving now (sigh). I have never heard of the alternative soprano. But yay Finley as Michonnet!

Adriana Lecouvreur – Angela Gheorghiu (except 21 Feb, 2 Mar) / Hrachuhi Bassenz (21 Feb, 2 Mar)
Maurizio – Brian Jagde
Abbé di Chazeuil – Krystian Adam
Princesse de Bouillon – Ksenia Dudnikova
Prince de Bouillon – Bálint Szabó
Michonnet – Gerald Finley (except 27 Feb; 2 Mar) / Alessandro Corbelli (27 Feb; 2 Mar)
Mlle Jouvenot – Vlada Borovko
Mlle Dangeville – Angela Simkin
Poisson – Thomas Atkins
Quinault – Simon Shibambu

And now for something I didn’t expect: Röschmann returns! In an opera I severely dislike but such is life. I will follow the Röschmann compass:

Otello/Verdi (21 June–15 July 2017)

Otello – Jonas Kaufmann (21, 24, 28 Jun, 2, 6, 10 Jul) / Gregory Kunde (8, 12, 15 Jul)
Desdemona – Maria Agresta (21, 24, 28 Jun, 2, 6, 10 Jul) / Dorothea Röschmann (8, 12, 15 Jul)
Iago – Ludovic Tézier (21, 24, 28 Jun, 2, 6, 10 Jul) / Željko Lučić (8, 12, 15 Jul)
Cassio – Frédéric Antoun
Roderigo – Thomas Atkins
Emilia – Kai Rüütel
Montano – Simon Shibambu
Lodovico – In Sung Sim

So no JK for me then (boohoo 😉 ). Might as well see how Kunde sounds live. My recent discovery Simon Shibambu (King of Scotland in the RCM Ariodante) will be there too. Please cross your fingers for me, last time I tried to sit through this one I couldn’t cope with more than 1 1/2 acts. It was a few years back…

Der Rosenkavalier (17 December 2016–24 January 2017)

Marschallin – Renée Fleming (17, 20 Dec, 8, 11, 14 Jan) / Rachel Willis-Sørensen (22 Dec, 17, 24 Jan)
Octavian – Alice Coote (17, 20 Dec, 8, 11, 14 Jan) / Anna Stéphany (22 Dec, 17, 24 Jan)
Sophie von Faninal – Sophie Bevan
Baron Ochs – Matthew Rose
Faninal – Jochen Schmeckenbecher
Valzacchi – Wolfgang Ablinger-Sperrhacke
Annina – Helene Schneiderman (except 8, 11, 14 Jan) / Angela Simkin (8, 11, 14 Jan)
Italian Singer – Giorgio Berrugi
Marschallin’s Major Domo – Samuel Sakker
Faninal’s Major Domo – Thomas Atkins
Marianne – Miranda Keys
Inn Keeper – Alasdair Elliot
Police Inspector – Scott Connor
Notary – Jeremy White

New production by Carsen but apparently it’s the one from Salzburg? Or something. Anyway, it’s the ‘kavalier, I’m going no matter who’s in it (within reason and mostly depending on Octavian. I’d like a more adventurous choice for Die Marschallin but, hey, big house. And if its the one time I’m seeing Fleming live this is probably the best bet).

Speaking of other choices, has Catherine Naglestad ever sung Die Marschallin? I know she won’t be putting bums on seats in the way Fleming does (because the world is funny like that) but I’m having a bit of a Naglestad fest in my little world and I thought her Salome was way fine. And you might remember that semi-legendary (but severely cut) Alcina with Naglestad and Coote (daydream moment).

The customary belcanto bit – Il barbiere di Siviglia (13 September–11 October 2016)

Rosina – Daniela Mack
Count Almaviva – Javier Camarena
Figaro – Vito Priante (Sept) / Florian Sempey (Oct)
Doctor Bartolo – José Fardilha
Don Basilio – Ferruccio Furlanetto (Sept) / Carlo Lepore (Oct)
Berta – Madeleine Pierard
Fiorello – Gyula Nagy

For those like me who don’t habitually watch Cardiff Singer of the World (perhaps we should), here’s Daniela Mack singing obvious morsels like Pensa alla patriaVerdi prati and Amour, viens rendre a mon ame three years ago:

She’s agile but I’m not wowed by that voice. Too big too full too early? Not enough lyric quality. I guess Rossini fits her best out of that medley. She’ll be throwing babies into the fire before you know it.

More obvious belcanto – L’elisir d’amore (27 May–22 June 2017) 

Adina – Pretty Yende (May, 3, 6, 11 Jun) / Aleksandra Kurzak (13, 16, 19, 22 Jun)
Nemorino – Rolando Villazón (May, 3, 6 Jun) / Ivan Magrì (11 Jun) / Roberto Alagna (13, 16, 19, 22 Jun)
Dulcamara – Alex Esposito
Belcore – Paolo Bordogna (May, 3, 6, 11 Jun) / Adam Plachetka (13, 16, 19, 22 Jun)
Giannetta – Vlada Borovko

But it’s Kurzak and hubby1 (cheers, no Villazón for me, though I would like to hear Yende) and enough with the Esposito, I bet he’ll make Dulcamara all menacing and whatnot. Eh. It’s a bloody comedy. Anyway, Kurzak!

Les Contes d’Hoffmann (7 November–3 December 2016)

Hoffmann – Vittorio Grigolo (except 28 Nov, 3 Dec) / Leonardo Capalbo (28 Nov, 3 Dec)
Four Villains – Thomas Hampson
Olympia – Sofia Fomina
Giulietta – Christine Rice
Antonia – Sonya Yoncheva
Nicklausse – Kate Lindsey
Spalanzani – Christophe Mortagne
Crespel – Eric Halfvarson
Four Servants – Vincent Ordonneau
Spirit of Antonia’s Mother – Catherine Carby
Nathanael – David Junghoon Kim
Hermann – Charles Rice
Schlemil – Yuriy Yurchuk
Luther – Jeremy White

Conducted by “my homie” Evelino Pidò. I recently had a weird moment with Hoffmann: I felt like it would be something I could sing. Not as in I can actually sing it, because I can’t even “actually sing” Row, row, row your boat, rather I could easily get into the spirit/rhythm/chord progression/Frenchness of it. A bit weird – French opera, of all things. Ok, let’s see Kate Lindsey in something she’s properly well known for. There’s a shitload of big names in it = more saving, and Yurchuk as well, lovely tone ex-Young ROH Squad baritone.

The Nose (20 October–9 November 2016)

Platon Kuzmitch Kovalev – Martin Winkler
Ivan Iakolevitch/Clerk/Doctor – John Tomlinson
Osipovna/Pretzel Seller – Rosie Aldridge
The Nose – Alexander Lewis
District Inspector – Alexander Kravets
Old Lady – Susan Bickley
Iaryzhkin – Peter Bronder
Pelageya Podtotschina – Helene Schneiderman
Podtotschina’s daughter – Ailish Tynan

You know I said I was going to go although I thought the music was unbearable because I’m a not so secret Gogol fan. Also Rosie Aldridge is in it and I really liked her in local Monteverdi and Handel. This is neither, I know, but I’m (and will be) very happy to see her on a big stage.

Now onto more Verdi, because ROH = big opera house and big opera house = trad repertoire until the cows come home:

Il trovatore aka Babies into the fire (4 December 2016–9 February 2017)

Leonora – Maria Agresta (Dec) / Lianna Haroutounian (Jan, Feb)
Manrico – Roberto Alagna (Dec) / Gregory Kunde (Jan, Feb)
Count di Luna – Quinn Kelsey (Dec) / Dmitri Hvorostovsky (Jan, Feb)
Azucena – Anita Rachvelishvili
Ferrando – Gábor Bretz (Dec) / Alexander Tsymbalyuk (Jan, Feb)
Inez – Jennifer Davis (Dec) / Francesca Chiejina (Jan, Feb)
Ruiz – David Junghoon Kim (Dec) / Samuel Sakker (Jan, Feb)

Ok, I want to hear Kelsey live so that settles it – though I liked Tsymbalyuk’s Commendatore and I’d like to hear Haroutounian just because her name is badass… but twice with the pirotechnic babies? A bit much.

Don Carlo (12 May–29 May 2017)

Don Carlo – Bryan Hymel
Rodrigo, Marquis of Posa – Ludovic Tézier
Elizabeth of Valois – Krassimira Stoyanova
King Philip II – Ildar Abdrazakov
Princess Eboli – Ekaterina Semenchuk
Grand Inquisitor – Paata Burchuladze
Frate – Andrea Mastroni
Voice from Heaven – Francesca Chiejina
Tebaldo – Emily Edmonds
Count of Lerma – David Junghoon Kim
Flemish Deputies – James Cleverton, Gyula Nagy, Simon Shibambu, David Shipley and Yuriy Yurchuk

Good chance to hear Stoyanova and Tézier (don’t know why I should hear him other than his name has been around for a while), also Abdrazakov (tongue twister ftw!). Heard Semenchuk’s Eboli on zetube, wasn’t that impressed. Maybe she’ll be better this time around.

The Exterminating Angel (24 April–8 May 2017)

Thomas Adès conducts a huge ensemble cast of world-class singers in the UK premiere of his latest opera, inspired by Luis Buñuel’s iconic film.

Leonora – Anne Sofie von Otter
Blanca – Christine Rice
Nobile – Charles Workman
Lucia – Amanda Echalaz
Raúl – Frédéric Antoun
Doctor – John Tomlinson
Roc – Thomas Allen
Francisco – Iestyn Davies… and many others

Look at the fine cast but ugh, Buñuel? I don’t know, I’m really unfamiliar with Adès.

Oreste (Wilton’s Music Hall) (8 November–19 November 2016)
George Frideric Handel

See the opera stars of tomorrow in a blackly comic production of Handel’s masterful pasticcio, in the atmospheric setting of Wilton’s Music Hall.

Ermione – Vlada Borovko
Ifigenia – Jennifer Davis
Oreste – Angela Simkin
Pilade – Thomas Atkins
Filotete – Gyula Nagy
Toante – Simon Shibambu

Whoa, look! ROH has sort of caught on to the Baroque craze for its young singers. Sounds like it could be fun. More chance to hear Shibambu’s deep bass voice and let’s see if these yougins measure up to our local baroque talent.

Tuesday lunchtime recital – 4 October at 1.30pm

Francesca Chiejina and Thomas Atkins perform art songs, accompanied by David Gowland.

Francesca Chiejina was the young and very promising soprano who made an impression in JDD’s Masterclass at Guildhall last year. Worth checking her out in recital.

…and of course there are other things that I am not interested in, though I may go see Barbara Hannigan in Written on Skin in a somewhat similar way I’ll put up with Otello for Röschmann.


  1. Though isn’t it a bit weird having real life couples sing lovers on stage? 
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About dehggial

opera lover with a predilection for Mozart and Baroque

Posted on April 7, 2016, in opera lists, royal opera house and tagged , , , , , , , , , , . Bookmark the permalink. 22 Comments.

  1. you know how to catch my attention 😉 . Technically if i can escape to europe for 2 weeks around beginning of July i know sooooo many places i want to be at! (oh, wait a minute, that jul 2017. that’s ok, soooo many places to be at in jul 2016 too!)

    Daniela Mack was the Juditha who drowned in my boston basement.. i think her voice is fine as Rosina as it’s not ultra-low… and since i didn’t get to hear her at her optimal range I can’t give you more insight from my live experience either.

    Like

  2. If you can’t stand Otello but are going for Röschmann, you can pretty much skip everything but the first fifteen minutes of Act IV.

    Tézier is good vocally but fairly anodyne stage-wise. Occasionally that works — it might work great for Iago, actually. Not so much for Posa, but neither is the rest of that cast wicked inspiring.

    Liked by 2 people

  3. Or not, wordpress >:-/… If both those remarks show up, pick one and delete the other. (I’d go for the second draft, meself.)

    Like

  4. PS Haroutounian of the badass name is Amelia in the Met Boccanegra today

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  5. i have the most memorable image of Händel’s Oreste from the Komische Oper Berlin producton back in 2006 but sadly the clip is no longer on tube of the finale chorus to the tune of “Bella sorge la speranza” in German with a very lovely WS (in white trench coat) and a soprano on her lap holding platform up high as airplane wing and a fan to generate the power to fly.. it’s from this production.

    Liked by 1 person

  6. Hello I stole your “babies into the fire” line for a post in my blog, but I gave you credit and put the link to your blog. I hope it’s ok.
    Here’s the link:
    https://latonellaeng.wordpress.com/2016/04/10/werther-theatre-des-champs-elysees/

    Liked by 1 person

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